I plan to write a series of blog posts over the next few months that will serve to explain a larger goal I have in mind of connecting the peacebuilding innovators and artists to communicate, express and lobby the US government and people for systems of peace and economic sustainability. The series of blog posts are meant to explain this thesis in further detail. I reserve the right to make amendments as I write. This is a work in progress. This is something that has been forming for years. I am eager to get it out into words.
Part 1: Art and Peacebuilding
Art and peacebuilding are odd bed fellows. Peacebuilding requires political will, it requires lobbying, it requires an understanding of the politics behind war and the economic systems America thrives on. It requires time and patience. It takes flexibility and planning.
Art on the other hand thrives in the present moment. In the insanity, in the blink of an eye, in the spontaneity of restlessness, in the space where honesty and abstract collide. It emerges only on its own accord and cannot be harnessed or calculated. It cannot be systematized and institutionalized. Art does not angle or lobby. Art does not care about politics.
In the the world of peacebuilding, true art is rarely achieved. Too often strong agendas overshadow the subtlety and magic that makes something art.
And in the world of art, real peacebuilding is rarely achieved. Artists recognize the dead weight political agendas can have on their work and often avoid them completely.
And yet, in this space where art and peacebuilding coexist, the power for social change is great. Finding the right balance between the two will forever remain a passion of mine. It is not an easy thing to do.
Part Two: The Politics of Peacebuilding